The Palestine I visited remained elusive, transfixed in the stillness of its own time. I felt almost like an intruder as I approached the contradictory present topography and demanding past contained within: places of great weight and history, places of many recorded and unrecorded memories, places resonant with human suffering and dignity

By Rachael Pells

Federico-Busonero-The-Land-that-Remains-PHOTOS

Travelling along Route 60, a long main road crossing the entire West Bank, Federico Busonero came across a middle-aged man. Sitting among a number of red bags with a large, stopped clock, he seemed to be waiting for someone – but he did not speak English and Busonero did not speak Arabic.

“I asked him if I could make a photograph, pointing the camera to him,” explains Busonero. “He did not refuse and looked straight at me.”

During the 15 minutes Busonero spent sitting with the stranger, the time on the clock didn’t change. “The man also did not move,” says the photographer, “his hands crossed on his legs, pensive eyes looking at me. Everything was halted.

“For me the photograph is a metaphor of the condition of all Palestinians: their time is frozen, they cannot move, they wait for a solution which only the external world can give them: the end of the occupation, the return to normality, the freedom to live and to cultivate their own land, the land that remains.”